Alice - Azimut -1982 Pop- — -flac 16-44- |link|

In the summer of 1982, Alice Moretti was the ghost of Italian pop. She’d had one hit, “Azimut,” a synth-driven reverie about magnetic north and lost lovers. The song climbed to number 14, then vanished. Alice, too, vanished—retreating to a farmhouse in Umbria, far from Milan’s recording studios.

For high-fidelity listeners on Discogs , the 16-bit/44.1kHz format is ideal for capturing the album's complex layering—specifically the interplay between Alice’s deep vocals and the period-specific synthesizers that can sound "dated" if not heard in high resolution. While some critics felt it was a slight step down from her previous album Alice , it remains a "vivid and passionate" entry in 1980s Italian music. Alice - Azimut -1982 Pop- -Flac 16-44-

In the vast, glittering ocean of 1980s Italian pop music, few albums possess the enigmatic allure of . Released in 1982, this record sits at a fascinating crossroads: the dying embers of progressive rock and the dawn of the digital, synthesiser-driven age. For collectors, the search string “Alice - Azimut -1982 Pop- -Flac 16-44-” is more than a torrent of metadata—it is a holy grail. In the summer of 1982, Alice Moretti was