In the broader context of Daevid Allen’s career, represents his final truly radical statement before his health declined in the late 2000s. It proved that Gong was not a nostalgic act but a living organism capable of absorbing local political trauma and transforming it into transcendent art.
For the collector, the Indonesian rock enthusiast, or the lover of heavy psychedelia, Laskar is essential listening. It is a reminder that even in the year 2000, with the world drowning in nu-metal and boy bands, Daevid Allen and his warriors were fighting a different battle: one groove, one gong hit, one revolution at a time. gong 2000 album laskar
To understand the significance of any Gong 2000 album, one must first understand the pedigree of its creator. The band was formed by Ian Antono, a virtuoso guitarist and composer who is widely regarded as the "Maestro" of Indonesian rock and pop. Ian Antono was a pivotal member of , the legendary band often described as Indonesia’s answer to The Beatles. In the broader context of Daevid Allen’s career,
Although the "Laskar" phenomenon peaked during the election campaign, the momentum carried into the year 2000. The term "Laskar" became synonymous with the supporters of the party, and by extension, the soundtrack provided by Gong 2000. While the band did not release a studio album strictly titled Laskar in 2000, the era represents a "Gong 2000 Renaissance." Their music became the soundtrack of a political movement, elevating Ian Antono’s composition from a pop song to a historical artifact. It is a reminder that even in the
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. While God Bless was known for progressive and hard rock, Gong 2000 leaned into a more polished, melodic rock sound that incorporated traditional Indonesian musical elements (often referred to as "rock etnik"). The Album: Released under the Logiss Records label,
The album's most enduring legacy is the ballad "Menanti Kejujuran," written by Fajar Budiman, which remains one of the most popular tracks in Indonesian rock history. Tracklist