The studio proved that you don't need to make a $100 million film to leave a permanent dent in pop culture. You just need a can of spray paint, a wobbly line, and the courage to make Los Angeles (or Dark Meat City) look like the inside of a punk rock album.
This collaboration is why MFKZ feels like a French movie but moves like an anime. The Japanese animators brought the fluidity of action sequences (especially the motorcycle chases and the "Black Crack" finale), while the French studio maintained the chaotic, hip-hop infused soul. mfkz animation studio