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There were, of course, exceptions—Katharine Hepburn, Bette Davis in her What Ever Happened to Baby Jane? era, and later, Jessica Tandy. But these were anomalies. The industry logic was rooted in a demographic fallacy: that young men (ages 18-35) drove box office sales, and they only wanted to watch young women. This created a desert of complex roles. Actresses like Debbie Reynolds, Doris Day, and Elizabeth Taylor spent the second halves of their careers fighting for scripts that offered depth, rather than cameos as the hero’s grandmother.

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Despite the progress, the revolution is not complete. The "mature woman" role is still often limited to three archetypes: the Grand Dame (wealthy, imperious), the Eccentric (quirky, sexually liberated to the point of caricature), or the Martyr (suffering, noble, about to die of an illness).